AN
EYE ON YOUR FOOD
by Ryan Knighton
I
was blinded by a condition known as Retinitis Pigmentosa. Although
a mouthful to say, the disease is simple enough: my retinas were
genetically programmed to self-destruct. I know the pathology involves
pigment slowly scarring my eyes, but a better scientific description
requires I stay awake while reding one. Nevertheless, of my long
march to blindness I can say this much: having bad genes is one thing,
but having bad genes that take their sweet time is another. I always
knew I was a slacker, just not a slacker to my molecular core
Blindness
does have its revelations, though. Noodling around in the dark, I’ve bumped into many unique sensory lessons. Some
of these have been culinary, while others not-so culinary. For what
it’s worth, here’s one for folks who see, or those of you
I fondly call “sighty”.
People often ask me whether my condition has heightened my sense of
taste, which is not to be confused with my appreciation of tastes.
The short answer is no, a loss of sight does not augment the other
senses. There’s no compensatory
tit-for-tat. Were that the case, blinkered folks would suffer the troubles of,
say, superhuman tastebuds. Such sensitivity might even force us to spend all
our money at fine restaurants, in self-defense, just to protect our mouths
from the perils of franchise eateries and sundry greasy spoons, not to mention
our own bad cooking. Credit cards would throb, and we’d feel the debt pulse
between our very touchy fingers. Sensory chaos. You get the picture.
Having said that, I must admit that blindness alerted me to my mouth in ways
I hadn’t anticipated. For one thing, I never knew how much sight prevents
both fear and surprise, two feelings which can otherwise overwhelm a dining experience,
no matter how pedestrian the menu.
Because I can’t see my food coming, all I have are expectations and words
on my plate. Think of a pizza. The term creates a promise, a picture in mind
of its attendant flavours. A tasty idea. Except for its smell, I’ve little
more to imagine heading my way until a slice of reality lands in my maw. While
surprises can be fun, the only trouble is that the difference between what I
expect to taste and what I do taste, well, that difference can hog all my attention.
That’s a very limited dining experience, just to be surprised.
Since I’ve got pizza on my mind, consider my most memorable slice.
When I was 22 I uprooted to Pusan, South Korea, and taught English
along with all the other North American university graduates who’d
fled their student loans -- a poverty jetset of ESL instructors.
Not only was I young and blind, but unworldly and lazy.What little
knowledge I had about my host culture I’d gleaned from M*A*S*H
reruns. In other words, I imagined Korea to be a lot like California.
Oddly enough, it was. I could order a pizza at any hour, and I did.
Sure I’m ashamed to admit it, but comfort food couldn’t come fast
enough. When it did, however, nothing had prepared me for the bean sprouts and
corn among my toppings. Lotus roots, too. I never saw them coming. Since then,
I’ve learned that dining – blind guy dining – is full of surprises.
My assumptions about food often have little to do with what the world is actually
serving up. Did I enjoy my sprout and corn pizza? I think so. But I don’t’ remember.
I was busy being alarmed and confused.
Such a feeling can take over in other ways, too. Once, still in Korea, I was
at a movie theatre, just another blinkered patron ready to listen to the big
picture show. I’d bought my requisite munchies, a bag of crisps I’d
ask for in very unsteady Korean, and when the lights went down, and the trailers
began, I laid into my first piece of potato heaven. The crunch was loud and familiar,
unlike the taste that spread in my mouth. In fact, I’d never known such
a taste. An alien, pungent chemical compound, salty but not salt. From what I
could tell, my crisps were, well, something-flavoured.
The surprise soon faded, only to be replaced by fear. I fretted about the unknown
and its very peculiar flavour. Because I wasn’t about to pester my poor
neighbours, I carried on one chip at a time, and tried my best to identify just
what the hell I was tasting. Maybe the potatoes were off, I thought. Can crisps
be off? To make matters worse, I drifted in and out of the film’s dialogue
and lost track of the story, too preoccupied with the mystery in my mouth. When
the credits began to roll, I found out, only then, with some help reading the
bag, that my snack was indeed crisps, but squid crisps.
Now
that the word “squid” was in the air, my tastebuds seemed
to focus. They knew what to look for, and, after hours of searching,
they finally found it.yes, this was indeed squid. Artificial squid,
but squid-like, without question. It was as if somebody had turned
the lights on in my mouth.
Not that it was all bad, either. That’s not my point. The basic
business of recognizing a taste, however, is a problem. Let me put
it this way. Is identifying a flavour the same as enjoying a taste?
Not even close. Does confusion enhance my attention to the flavours?
Yes, but only if you consider panic or agnosia a more attentive relationship
to food.
Certain restaurants and dining trends would have the sighted believe that ‘blind
dining” is a mighty good way to enjoy food, and a means to heightened sensitivity.
Dans Le Noir is one such joint. Founded in Paris, and recent to London, the schtick
at Dans Le Noir has customers blinded for a smidge. They are guided to their
tables in the dark by blind waiters, an advantaged staff who then serve meals
to be enjoyed sans lumieres, the theory being that food will brighten, as will
our attention. Dine like the blind. Gimp chic, I guess.
But take it from an authority, and a man of simple tastes, shutting your eyes
does not make the cheese cheesier, nor the figs, er, figgier. Sure, turning off
the lights might help tether the attention of those unfortunate souls with A.D.D.,
Blacking-out the number of possible distractions is always a good idea. But
the main sensory gain can only be cheap, uniform and overwhelming: surprise.
Besides, you know what you ordered, too. There’s nothing to fear. I can
only imagine a lesser thrill, then, restricted to the minor loterry of your plate.
Don’t get me wrong. I’m all for a good time if you want to give blindness
a try. That’s also why I suggest that folks who are going to bother should
give it a real go. For instance, maybe blindfolded customers should be set loose
on an arbitrary street corner, armed only with a fork and a bib. Finding something
to call supper ought to be part of the experience, don’t you think? That
would be truly extreme dining. Keep your pets indoors.
All joshing aside, such culinary tourism can’t replicate the permanence
of blindness, which makes for one critical difference. For me, eating in the
dark happens at different times and places in my life, not occasionally. Keeping
no pictures in my mind of those times or places -- only the ephemeral flavours,
smells and textures of bygone meals -- changes the value of food for my memory.
Here’s some dessert, for example. While I never saw my wedding cake, I
did taste it. Taste “them”, I should say. I remember eating a number
of mini chocolate cupcakes, ones I’d found on their various plinths at
varying heights. I plucked each like an apple from a tree, and tried not to shower
crumbs on my new suit. My fingers even scarred the icing, as I reached into the
dark and grabbed willy-nilly. Goopy, rich icing. I remember that feeling, and
the taste in my mouth.
Though I felt no surprise or fear in eating my wedding cakes, I did experience
the other, greater facet of true blind dining: In eating, I was taking my photographs
of the moment. I remember the taste of that specific time and place. It is sweet
and rich and dark. No, blindness did not make those cupcakes more flavourful,
but it did make them taste more meaningful. In fact, I wish I had some right
now. To offer you a bite would be to share my wedding album. “Here’s
a picture from the best day of my life,” I could say. “Go on, take
one.”
©2007
No portion of this article may be reprinted without permission.
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